The Wire has transcended the tropes of police drama and looks at the human conditions, the human ecology of certain social groups who are often neglected, forgotten or even rejected by the mainstream of a society. It puts you right into their community and show you both the pretty and ugly sides, both the virtues and vices without flinching, thus avoiding depicting them from an outsider's perspective. In other words, The Wire manages to represent these groups without giving them a sense of otherness, and that is something truly admirable.
水果达人:61.236.123.175
C / 依托被鬼神凭附的物件构造大量垂直的平面然后通过停滞、遮罩与滑移让这个面逐渐起伏有致似乎很少在这一类(假如真的存在这个类别的话)作品中看到如此多缓慢厚重且相互隔断的动作它们并不意在营造什么惊悚效果天使的眼泪甚至也并无统一的节奏与紧密的关联而是落实到人物的心理动势以至于另外的世界和现实哪怕相交了那脆弱的界线依然是如此分明因为那钝重的姿势成为一种与山峦、作物、水波同样有灵性的抵抗这可能也是为什么山洞中那场戏如此动人——她成为匍匐的动物在彻底无法被平面化的闪着幽深光亮的崎岖之间完成与守护神的相遇并弃绝它